With a washboard, a tea-chest bass and a cheap Spanish guitar, Donegan entertained audiences with folk and blues songs by artists such as Leadbelly and Woody Guthrie. Which upcoming albums are you most excited for? Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. The first band he ever played in was the trad jazz band led by Chris Barber, who approached him on a train asking him if he wanted to audition for his group. The first 13 tracks on this 26-song CD are from various EPs and singles cut by Donegan in late 1955 and early 1956, doing a wide range of country blues and folk material, with repertory by Leroy Carr, Leadbelly, and Woody Guthrie interspersed among country and cowboy numbers, work songs, and field hollers that go back too far for authorship to be identified. Nobody Loves Like An Irishman He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Aunt Rhody, My Old Man's A Dustman b/w The Golden Vanity, I Wanna Go Home (Wreck Of The John B.) The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. The next month he was at Abbey Road Studios in London cutting a song for EMI's Columbia label. The single had a 22-week run on the English charts, peaking at number eight. Complete discography, ratings, reviews and more. Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. Lost John In the late '90s, his musical credibility came around again to perhaps the highest level of He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. 1956 "Jazz Club"(? b/w Jimmie Brown The Newsboy, Lively b/w Black Cat (Cross My Path Today), (Bury Me) Beneath The Willow b/w Leave My Woman Alone, I'll Never Fall In Love Again b/w Keep On The Sunny Side, Beans In My Ears b/w It's A Long Road To Travel, World Cup Willie b/w Where In This World Are We Going, My Lovely Juanita b/w Who Knows Where The Time Goes. 2016, Folk - Released by Bridge Pa Digital on 28 mei 2019, Pop - Released by Sanctuary Records on 12 dec. 2000, Pop - Released by Castle Communications on 1 jan. 1957, Pop - Released by Retro Music Box on 25 jun. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. For the next six years, Lonnie spent 335 weeks on the Official Singles chart. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. Michael Row The Boat Ashore It was exceptionally popular among England's teenagers, who accounted for most of its sales. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. 1 EP (Feb. 20, 1956 Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. This led to the peculiar situation that any "cover" version of "Rock Island Line" which was released on record in Britain from 1956 showed the song composition credited to Lonnie Donegan.) Donegan was a big fan of Johnson, and took his first name as a tribute to him. WebLonnie Donegan. The UK King of Skiffle, Lonnie Donegan was born Anthony James Donegan MBE (April 29 1931 November 3 2002) in Bridgeton, Glasgow, before joing Chris Barbers Big Jazz Band. His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954. WebLonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." Sally Don't You Grieve (Nov - 1957) They were successful enough that the National Jazz Federation asked the band to play a show at Festival Hall with American ragtime pianist Ralph Sutton and blues/jazz legend Lonnie Johnson. Some of the songs from the original Showcase album do show a certain confidence and assertiveness seeping in, moving the music in more of a slick, popular direction. 2023 XANDRIE SA - 45 rue de Delizy, 93692 Pantin CEDEX, France. I Shall Not be Moved Smith&Co SSCD1172 LD9. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." Donegan was only paid a few pounds for the recording, and received no royalties. Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. Lonnie Donegan Hit Parade -- Vol 4 (November 1957) Can you list the top facts and stats about Lonnie Donegan? Please enable The Official Charts guide to Eurovision 2023, Ellie Goulding's new album Higher Than Heaven will arrive two weeks late, Albums coming in 2023: Ed Sheeran, Miley Cyrus, Mimi Webb and more, What Number 1 vindication means for Miley Cyrus and Lana Del Rey's campaigns, Libianca talks People, collaborating with J Hus and Dave and more, Ed Sheeran announces release of acoustic album Subtract, 10 years in the making, Matilda The Musical makes it three weeks at Number 1, Who is Mae Stephens - the 19-year-old behind viral hit If We Ever Broke Up, Official Trending Chart: Pink, Niall, Mae Stephens and more, BRING A LITTLE WATER SYLVIE/DEAD OR ALIVE, DOES YOUR CHEWING GUM LOSE ITS FLAVOUR (ON THE BEDPOST OVERNIGHT). Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. Shop for Vinyl, CDs and more from Lonnie Donegan at the Discogs Marketplace. Brian Simons - Washboard 1958 In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. http://www.p.griggsy.btinternet.co.uk/Untitled/Lonnie.html (Memories of Lonnie Donegan by Paul Griggs). In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." WebAnthony James Donegan MBE , known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. The name stuck. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. Anthony James Donegan MBE (29 April 1931 3 November 2002), known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. & Feb. 24, 1957) Boll Weevil Blues unissued LD9 April 12, 1953 Hotel Gentofte, Copenhagen, Denmark (Donegan & Barber) Hard Time Blues (KC 9) Storyville (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. AllMusic relies heavily on JavaScript. His taste in jazz went toward Louis Armstrong and Gene Krupa. He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, The record was a hit, racking up sales in the hundreds of thousands. Ron Bowden - Drums, Denny Wright - Guitars 1956 Chris Barber - Bass, Vocals Bring a Little Water,Sylvie (Strangely enough, a live film clip of Donegan and Wright doing that song exists, in the movie The Six-Five Special). WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 Decca (with The Chris Barber Jazz Band) July 13, 1954: London Lonnie Donegan (gtr, voc. [+] Eight CDs, and nearly 10 hours of music may seem like overkill to most onlookers, but this is a boxed set that truly justifies itself, once you've listened to it. Singles. Having replaced Bishop in 1956, Wright is playing most of the lead guitar on those tracks, on the accompanying single sides, and on a pair of previously unissued tracks: the Pye re-recording of "Rock Island Line" and the slow blues "I've Got Rocks in My Bed," where he gets to play some Scrapper Blackwell-style licks. Thanks in advance. The version of Leroy Carr's "How Long, How Long Blues" is almost as much a jazz piece as a blues workout, with guitarist Denny Wright subbing on the piano. Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. Best British musicians before the Beatles? He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). Cumberland Gap Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. The man extending the invitation was Chris Barber, himself an aspiring young jazzman. John Cole - Harmonica 1958 NME Rock 'n' Roll Years. London: Reed International Books. p. 27. CN 5585. ^ a b Lewis, Randy (5 November 2002). "Lonnie Donegan, 71; His Music Influenced 1960s Rock Bands". Los Angeles Times. Retrieved 27 October 2021. ^ "Lonnie Donegan was born 90 years ago today". Frank Beacham's Journal. 29 April 2021. Retrieved 27 October 2021. . (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. In 1949, he was drafted into the British Army. Mickey Ashman - Bass 1956 [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising Donegan was suddenly a star, with a public that wanted more music from him. Discography Lonnie Donegan Follow Artist + Scottish-born singer and guitarist WebLonnie Donegan Albums: songs, discography, biography, and listening guide - Rate Your Music Lonnie Donegan Born 29 April 1931, Glasgow, Glasgow City, United Kingdom Died In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. 2 (Aug. 22/23, 1956 The next month he was at Abbey Road Studios in London cutting a song for EMI's Columbia label. The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. It seemed to fit, and it caught on; the Ken Colyer Jazzmen became almost as popular for Donegan's between-set skiffle songs as they were for their Dixieland music. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. Pete Huggett - Bass, Strings 1958 © Bruce Eder /TiVo, 227 album(s) Two tracks were omitted from the original recording. Barber had heard that Donegan was a good banjo player; in fact, Donegan had never played the banjo at this point, but he bought one and managed to bluff his way through the audition. Lonnie made his chart debut in January 1956 with Rock Island Line. - November 2, 2002 (his death, (his third marriage); 3 children), Peterborough, Cambridgeshire, England, UK. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. Summarize this article for a 10 years old. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. It was an enormous hit in 1956 (which also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960s) but ironically, because it was a band recording, Donegan made no money from this recording beyond his original session fee. ), BBC Radio, London, April 18, 1955 "Jazz Club", BBC Radio, London, May 9, 1955 "Jazz Club", BBC Radio, London, (In The Evening) When The Sun Goes Down CD8, May 19, 1955 IBC Studios, London ("Backstairs Session"), Harmonica Blues (CB hca) Polygon unissued CD1, January 9, 1956 "Jazz Club", BBC Radio, London, January 11, 1956 IBC Studios, London ("Skiffle Session"), The Ballad Of Jesse James (DB vcl) Nixa NJE1017 CD1, ?? Lonnie Donegan Meets Leinemann - Country Roads (LP, Album) Monty Sunshine's Jazzband* Feat. Lonnie Donegan Monty Sunshine's Jazzband* Feat. Lonnie Donegan - Mama Don't Allow (LP) He was coaxed into his first band one night when someone approached him on the train, saying that they'd heard he was a good banjo player, and invited him to audition for a new group. Colyer quit the group early in 1954, and Barber took over the leadership. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. His taste in jazz went toward Louis Armstrong and Gene Krupa. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. WebScottish-born singer and guitarist who was the greatest star of skiffle, the souped-up folk style that predated British rock & roll. Dead or Alive, SESSION: August 22/23, 1956 . He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. '.webs.com' : 'none'; --> Carter's "Wabash Cannonball." For LP, just put in Title. Donegan was only paid a few pounds for the recording, and received no royalties. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. Plus Review. Aint You Glad Youve Got Religion. Donegan's attempt at a recording comeback late in the '60s was unsuccessful, but in 1974, a new boomlet for skiffle music in Germany brought him on tour and into the studio anew, and the following year he and Chris Barber toured together and recorded a new long-player, The Great Re-Union Album. His taste in jazz went toward Louis Armstrong and Gene Krupa. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. In 1952, he formed the Tony Donegan Jazzband, which played around London. 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